How to be an Effective Critique Partner

Critique_005I’ve been bogged down this weekend with family and community events. So, I’m sharing an oldie  but a goodie (1st published 2013), but with a few tweaks and additional information. Enjoy.

Critiques are a part of every writer‘s life. Whether it’s a one on one partner, or a group providing feedback. Having another set of eyes on your stories, essays, or novels is essential for growth and success.

Accomplished writers already understand the value of a good critique partner. For newer writers or those who have yet to take part in a group, I’d like to share my critique cheat sheet. I hope you’ll find the information provided here helpful.

A Few Things to Remember:

  1. The format and function may differ from group to group.
    Know the rules before joining to ensure the commitment is one you are willing to make.
  2. If you don’t know the group’s process, ask before your first meeting.
  3. Don’t rubber stamp each submission presented with, “I loved it,” without providing further constructive feedback. Doing so is unfair to the author. Those who submitted work want and deserve a genuine response and critique.
  4. Critique groups are not about safeguarding a writer’s feelings. It’s about providing quality feedback.
  5. If this is your first group, familiarize yourself with the terminology groups use. (genre, protagonist, antagonist, point of view (POV), voice, conflict, backstory, info dump, pacing, opening and resolution).

My Cheat Sheet for the Short Story Critique and Things to Consider:

  1. Did you enjoy the story? If not, why.
  2. Could you identify the story’s setting? Or, did you get lost in too much backstory?
  3. Did the story engage you and draw you in? Did you want to keep reading?
  4. What about the opening sentence or paragraph? Did they make you want to read further. If not, why? What made you hesitate?
  5. Was the protagonist clear to you? Did you understand the goals?
  6. Did you have enough information about the main character? Did you like the character or care about his/her situation (goals versus conflict).
  7. Were the stakes facing the protagonist, high enough to make you care?
  8. Did you find the dialog believable? Too much internal dialogue?
    Were you able to identify the genre?
  9. Did the story progress in a natural flow, or were there places that left you confused? Explain.
  10. Was there a resolution? Did the ending make you happy or, leave too many unanswered questions?
  11. Could you identify the theme?
  12. Explain the things that gave you pause. Make notes in the margins of the submitted piece indicating pertinent information. It could be a wrong word choice, sentence length, credibility, pacing, or something else.

Articulating your impressions provide the author with specific feedback. They can then decide to use or not use the information to strengthen their story. Sometimes, we’re too close to our work to see the flaws. Another set of eyes helps point out the weaknesses or holes in our story.

Good critique partners are an invaluable resource and asset to writers of all levels and I encourage you to find one in your area or online.

Want more information on critique partners and groups? Ryan Lantz gives excellent pointers, in his post, Critique Partners 101: Everything You Need to Know Before Pairing Up.

Interested in starting a group? Janice Hardy, from Fiction University, provides the lowdown on how to start a group, Are You Looking for a Critique Group or Partner?

Here’s to wonderful critique partners.

I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood, Pinterest, Bloglovin, Twitter @cofcmom, and Contently.

 

Want to Know How to Write Realistic Internal Dialogue?

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Clipart

As a writer, we want our characters to come across as credible and believable. Internal thoughts are part of bringing our characters to life. So, what is the correct way to write  what characters are thinking?

Reasons to Use Internal Dialogue:

  1. To make  characters real to our readers.
  2. Show vulnerability – to help connect readers to the character.
  3. For dramatic effect – when you want to emphasize something important. Readers tend to remember emphasized moments.
  4. To show the character’s motivation.
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Courtesy of Quick & Dirty Tips

Ways to Show Internal Dialogue

  1. Using the tag, “He thought.”   I wish Stephen would leave well enough alone, she thought.
  2. Italics:  Why can’t Stephen leave well enough alone?  Italics are  my favored method to show internal dialogue.
  3. Intermingling thoughts with narrative.  Claire stared out the window. Why couldn’t Stephen be happy with the status quo? She didn’t have a clue what answer she’d give him this weekend.
  4. Using quotations – for the most part,  is not recommended, even single quotations. Because quotations denote dialogue, it can confuse to the reader.

Do you find one method preferable over another? Why?

I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood, Pinterest, Bloglovin,  Contently, and  Twitter @cofcmom.

Coutresy of zazzle.com

Courtesy of zazzle.com

Want more on Formatting Internal Dialogue? Check out Grammar Girl’s, Quick and dirty Tips.com

 


 

 

 

How To Pick an Agent (and Live Happily Ever After)

Finding an agent is a thrilling and anxious time. I’m not at that point yet; however, I hope to be soon. Thanks to Ryan Lanz at A Writer’s Path, I have a blueprint, of sorts, to help me through the process. Thanks, Ryan for sharing this valuable information. Take it away.

Please note:  This was originally a guest  post contributed by Christina Dalcher. You can check out more of her articles on her blogChristina has a Ph.D. from Georgetown University in Phonology and Phonetics. 
I’d love to hear your comments. Talk to me. Tell me your story.
And as always, you can follow me on Facebook at SheilaMGood, Pinterest, and  Twitter @cofcmom.

Do You Make These 5 Mistakes?

14df47ff-a6a3-4856-b6c5-e0bc63f2a94d_zpsj2npso91I don’t know about you, but I hate making mistakes. I think the number of errors one makes in life should decrease exponentially with age. But then, nobody asked me.

Writing a novel, whether it’s your first or third, is not for the faint of heart. I’m on my first, and the more I read about writing, the more mistakes jump out at me and smack me in the head. Seriously? 

5 of the Most Common Mistakes Writers Make
  1. Write & edit at the same time – Oh Lord, I’m so guilty of this one. Every time I read another how-to, chapter one gets a makeover.
  2. No tension or conflict – Maxwell Anderson once said, ” The story… must be a conflict, and specifically, a conflict between the forces of good and evil within a single person. I think I’m okay with this one, but I’ll double-check – everyone loves a fist fight.
  3. Stereotyped characters – If your character is a bored housewife, give her a personality and quirks that make her anything but boring.  “Know more about your character than you let on. It’ll show.” Aaron Miles
  4. A main character nobody likes – I was told many times growing up, “If you can’t say anything good about someone, keep your mouth shut.” Okay, maybe that’s not a direct quote, but we all like to feel something good about the characters we read. In one of my stories, the main character kills her husband because he becomes a weak, whiny-ass of a man. I thought she might need a tweak or two (to become more likable) but, come to think of it – I know many women who would love her.
  5. Forgetting who you’re writing forhint, it’s your readers. Fine, some write because they have to, whatever that means, or for catharsis – maybe sometimes. Whatever the reason you write, if the story doesn’t engage the reader you’re doomed and so is the story. So, make it believable. Don’t write when you’re bored; it’ll show. Give them a story that keeps them up at night, flipping pages.

More on mistakes writers make? Check out Steven James article in Writer’s Digest, 5 Story Mistakes Even Good Writers Make.

What about you? Are you guilty of making these mistakes? I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood and  Twitter @cofcmom.

Photo courtesy of Pinterest

  Mark Twain said, “Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.”