The Sting of Truth

Five Sentence Fiction – Scorching

Photo Courtesy of humintell.com

Photo Courtesy of humintell.com

She knew her story would raise eyebrows and stir controversy.

The story needed telling no matter how many people might squirm; the truth had a way of doing that.

She expected mixed reviews, but the scorching reprimand from her closest friend caught her by surprise.

“Skeletons should stay buried, not pulled from the grave of past sins and used as a legacy of shame over people,” her friend scolded.

“Let the chips fall where they may; this is my story, my experience, my truth to tell, so let the squirming begin.”

 

 

The Genie and Minor Inconveniences

Photo Courtesy of www.dailymail.co.uk & Google

Photo Courtesy of http://www.dailymail.co.uk & Google

100 Word Challenge for Grown Ups – Week #159    …but you need cash…  

“Jesus Becca, you gonna stare at that or drink it? You’re making me dizzy drawing circles. You think a genie is gonna pop out and grant you three wishes?”

Becca cast a sideways glance at her friend, Sam. “I’m thinking.”

“Thinking my ass, you’re sulking.”

Becca shrugged, “I don’t need them or the job.”

“But, you need cash to pay rent and put food on the table; you know, minor inconveniences.”

Becca slid three hundred dollars and a card across the table. New Age Escorts.

“The genie likes the way I draw circles,” she said, smiling.

 

 

How Do Your Characters Move?

Character development is one of the most important aspects of a story and we’ve all heard about round or flat characters. But, what does that really mean?

Round (full) characters are complex, multidimensional, and often referred to as having layers. In other words, there’s more to a well-developed character than meets the eye. Think about the main character in your own work. As an author, we know the complexities of our protagonist. The trick is to bring what we envision in our heads to life on the pages.

On the other hand, flat characters (typically, a minor character) are one-dimensional and boring. What you see is what you get with these undeveloped characters. Even with a great plot, if the characters are weak, you won’t keep the interest of your readers. Readers want to be engaged, connected, and pulling for our characters. And, it’s easy, if we’re not careful, to bury our readers with pages of backstory instead of giving them the characters they desire.

So, how can we give our characters more dimension?

  • Backstory –peppered throughout, not dumped. Given in large doses, anything can turn us off, even chocolate.
  • Dialogue – whether, the manner in which they speak or a distinctive dialect, dialogue reveals a character’s personality, motivations, and helps move the story forward.
  • Movement – how the character interacts with others and the environment tell us more than any description. I hadn’t thought about using movement, in this way, until I read the article in Flash Fiction Chronicles  by April BradleyCharacter Development & Movement in Fiction. Check it out for yourself here and tell me what you think.

So, what do your characters look like?

This?Photo courtesy of patientdriven.org & Google            Or, this?Clip Art

I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook  at SheilaMGood and  Twitter @cofcmom.

Thief of Hearts

CMH

CMH

Five Sentence Fiction – Thief

She ran the brush through her hair and reached for her favorite lipstick applying it with care. At a young age, she discovered she could get anything she wanted by puckering her perfectly heart-shaped lips into a pout. Later, the tilt and flutter of her eyes made guys stutter and stumble. Men longed to hear the beauty of her delicate laughter and stroke her long silken hair. But, it was the subtle scent of Chanel and the sway of her hips, which revealed the true depth of her power – stealing hearts.