Free 5 Part Video Series on The Story Grid

I just finished an amazing five-part video series on the craft of story editing, by Shawn CoyneThe Story Grid. It is one of the most informative series I’ve seen to date. In addition to the videos, free  downloads and full transcripts are available.

Click here to download all five videos. Buy  the book here or on  Amazon.

“Story Grids inspire writers by showing them exactly how the literary masters structured their masterpieces. Creating a Story Grid for your own work will literally show you exactly how your Story works.  Seeing a novel from start to finish is an indispensable editorial tool.”           

Tips for the Floundering Tweeter

Tips for the Floundering TweeterAlthough, I’ve had a Twitter account for awhile now, I admit I’m not proficient in the use of Twitter. For one, it can be addictive and it’s hard for me to say anything in a 140 characters.  I’ve been working on my Twitter presence and thanks to Kevan Lee at Buffer for his article, Twitter Tips for Beginners, I have a number of tips to share with those of you who, like me, are still floundering beginners or,  just floundering.

Twitter Tips
  1. Unless you don’t want to get anything else done -Don’t read every tweet. According to Kevan, “If you’re following 100 people, you could see 2,200 tweets per day.”  I don’t have that kind of time.
  2. Use Lists: This is something I’ve used for some time now. I currently have nine lists, from writing to politics.
  3. Talk to people. If they tweet, re-tweet, mention, or favor a tweet – recognize them. Say something, after all, Twitter is about connecting with people. In the South, we call not responding – rude!
  4. Use a scheduler. I use Buffer and have for a long time.
  5. Make sure your profile is up to date, professional and says something real about who you are.
  6. Follow as many as you want and more if you can. You follow me, I’m gonna follow you. And, by the way, you can find me on Twitter @cofcmom.
  7. And, Thanks Kevan for this: No. 1 Rule of Tweeting: If you want everyone to see your tweet, don’t start it with an @ symbol. I didn’t have a clue.
  8. You’re not going to be shunned or cut off from Twitter world if you repost a Tweet more than once. Go for it. It’s okay. You might pick up a follower or two.
  9. Don’t forget the # hashtag, but don’t overdo it either. According to Kevan, when you use more than two #’s, engagement drops by 17%. Who knew you could # someone to death. Kevan has a whole article on the science of #hashtags. You can check it out here.

Here’s to Tweeting. I’ll see you on the Twitter playground. I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood,  Twitter @cofcmom, Tumblr, and Pinterest.

 

Want to See Your Books in the Library?

I grew up checking books out at our local library. When I became an adult, the local library was one of the first places I visited whenever I moved to a new community. Although, once I acquired my Kindle, the trips to the physical library became less,  my reading didn’t slow down. In fact, I still check out books from the library, only now it’s virtual.

So, what a pleasant surprise to discover, via C.S. Larkin and her guest, Porter Anderson,  the exciting  new program, Self-e.

From Library Journal and BiblioBoard, Self-e is  a platform where independent authors can get their ebooks into the American Library system. Wow! You can read about it and even upload your e-book  here at @ Live Write Thrive Introducing Authors’ New, Free Entry into Libraries: Self-e.

And while you’re there, submit to the  Library Journal’s 2015 Self-Published eBook Awards. $4000 in winnings. The deadline is midnight August 31, 2015.

As always, I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood and  Twitter @cofcmom.

How to be an Effective Critique Partner

Critique_005I’ve been bogged down this weekend with family and community events. So, I’m sharing an oldie but goodie, with a few tweaks and additional information. Enjoy.

Critiques are a part of every writer’s life. Whether it’s a one on one partner, or a group providing feedback. Having another set of eyes on your stories, essays, or novels is essential for growth and success.

Accomplished writers already understand the value of a good critique partner. For newer writers or those who have yet to take part in a group, I’d like to share my critique cheat sheet. I hope you’ll find the information provided here helpful.

A Few Things to Remember:

  • The format and function may differ from group to group.
  • Know the rules before joining to ensure the commitment is one you are willing to make.
  • If you don’t know the group’s process, ask before your first meeting.
  • Don’t  rubber stamp each submission presented with, “I loved it,” without providing further constructive feedback. Doing so is unfair to the author. Those who submitted work want and deserve a genuine response and critique.
  • Critique groups are not about safeguarding a writer’s feelings. It’s about providing quality feedback.
  • If this is your first group, familiarize yourself with the terminology groups use. (genreprotagonist, antagonist, point of view (POV), voice, conflict, backstory, info dump, pacing, opening and resolution).

 My Cheat Sheet for the Short Story Critique and Things to Consider:

  1. Did you enjoy the story?  If not, why.
  2. Could you identify the story’s setting? Or, did you get lost in too much backstory?
  3. Did the story engage you and draw you in? Did you want to keep reading?
  4. What about the opening sentence or paragraph? Did they make you want to read further. If not, why? What made you hesitate?
  5. Was the protagonist clear to you? Did you understand the goals? Did you have enough information about the main character? Did you like the character or care about his/her situation (goals versus conflict).
  6. Were the stakes facing the protagonist, high enough to make you care?
  7. Did you find the dialog believable? Too much internal dialogue?
  8. Were you able to identify the genre?
  9. Did the story progress in a natural flow, or were there places that left you confused? Explain.
  10. Was there a resolution? Did the ending make you happy or, leave too many unanswered questions?
  11. Could you identify the theme?
  12. Explain the things that gave you pause. Make notes in the margins of the submitted piece indicating pertinent information. It could be a wrong word choice, sentence length, credibility, pacing, or something else.

Articulating your impressions provides the author with specific feedback. They can then decide to use or not use the information to strengthen their story. Sometimes, we’re too close to our work to see the flaws. Another set of eyes helps point out the weaknesses or holes in our story.

Good critique partners are an invaluable resource and asset to writers of all levels and I encourage you to find one in your area or online.

Want more information on critique partners and groups? Ryan Lantz gives excellent pointers, in his post, Critique Partners 101: Everything You Need to Know Before Pairing Up.

Interested in starting a group? Janice Hardy, from Fiction University, provides the lowdown on how to start a group, Are You Looking for a Critique Group or Partner?

Here’s to wonderful critique partners.

I’d love to hear your comments. Talk to me. Tell me your story. And as always, you can follow me on Facebook at SheilaMGood, PinterestBloglovin, Twitter @cofcmom, and Contently.