A Love of Words

Guest Contributor Wendy Unsworth

Image source -pixabay

Image source -Pixabay

Now that the festive season is upon us again, most of us try to take some time to pause from our busy, everyday lives and turn thoughts to friends and family, both past and present.

We all remember our loved ones in our own special way and, for me, the legacy left to me by my father is, I believe, a strong part of the reason I am here today, amongst this wonderful community of writers and readers. And yet, he lived in a different world to the one I now inhabit; I find that both sad and fascinating in equal measures.

My dad died a long time ago, almost thirty years, actually, of a brain tumor in his early sixties. He never had the chance to own a computer or a mobile phone. He didn’t know about the World Wide Web. He did write letters but, as far as I know, never wrote anything creative. But he did love words. It has taken me a long time to realize that fact.

Image source -pixabay

Image source -Pixabay

Ever since I was a little girl people said I got my ‘green fingers’ from my dad and it’s true, I can remember way back to the time when he would give me little packets of flower seeds and show me how to sow them. When I was still in primary school, I conscientiously watered a sunflower every day until it grew way over my head. I thought it might be a beanstalk. It wasn’t, but it was another love that my dad was nurturing in me, even though at the time I didn’t know it.

But back to the words… As I began to explain, my dad was a simple, hard-working man. He could be, what I interpreted to be at the time, quite impatient and aloof. Now, that I have raised a family of my own (and one-half the size that I grew up in) I realize a house with four kids all spread out in age wasn’t the easiest thing to manage. He was hands on, would often cook Sunday lunch, and he liked to do DIY but was never any good at it.

He served in the army, in the closing stages of the war and when it was over never got any other chance to travel the world, though he would have liked to. He had a lot of curiosity about things he had never seen. When I was a young teenager, we would often sit up late on a Saturday night, long after Mum had gone up to bed and he would like to theorize about how the pyramids were built and what the future of space travel might be. He always had his own strong opinions, and he liked to expound them in his own rich, often quirky language.

And it’s the language thing that I wanted to mention because, although he wasn’t a literary man my dad clearly had a great love of language. He had favorite quotes from books and poems that he would often incorporate into ordinary conversations. I can see him now, getting up from his chair and announcing ‘I will arise and go now…’ quoting from The Lake Isle of Innisfree by William Butler Yeats and revelled in the alliteration of the ‘lake water, lapping with low sounds’ and would repeat the line often.
img_1914Dad also liked to make up words.
I was quite far into my grammar school years before I realized that obstroculous wasn’t a real word at all. I wrote it in a school essay and was rewarded with red underlining and a cluster of question marks in the margin. I looked it up, dumbfounded, as it was a word I had known all my life around my dad. And English mattered to me at school. It was the subject I was good at. Imagine my surprise when I found out the word didn’t exist!

I confronted my dad about my less than perfect score on my essay and he, rather sheepishly, told me that the word he routinely mispronounced was obstreperous,  but he disliked it and thought it sounded like a medical condition, so he adjusted it to a word he thought more fitting. And it wasn’t the only word that had undergone this treatment; I requested that he tell me anything else I should know before I fell foul of my English teacher again.

At that time and age I thought this habit of my dads was rather odd and embarrassing, but as I grow older, I realize that it was just a part of Dad being dad and it was one of his pleasures in life.

I never adopted my dad’s habit of actually changing words that I don’t like but, as he became ill, I realized I didn’t want his inventions to disappear completely from our family and began to occasionally use a few of his strange forms of words, mainly in jest, and in his memory.

Only the other day my daughter and I were discussing our gardens. We are both keen growers. I asked her if she had considered trying to grow beans and she instantly quoted,
‘Nine beans rows will I have there and a hive for the honey bee.’
It gives me a warm feeling to think that these small but img_1913significant traditions run through families.
Thanks, Dad, for a love of words (and plants)

The Lake Isle of Innisfree is a beautiful poem. Do look it up if you don’t know it; I am sure you will love it.

 

If you enjoyed Wendy’s post, let her know, at Wendy Unsworth, and as always, I’d love to hear from you. Talk to me. Tell me your story and look for me on Facebook at SheilaMGood,  PinterestBloglovinTwitter@sheilamgood, Contently, and Instagram. You can follow my reviews on Amazon and Goodreads.

Depression and Medication

Second in my series on clinical depression, originally posted on Dec. 7, 2012.

granonine's avatarLinda's Bible Study

This, believe me, is a very hot topic!  There are many who object strongly to the use of antidepressants, claiming that they only mask the problem without resolving it.  There is much to be said in their favor.

The other side of that argument is that true clinical depression comes with a depletion of, typically, serotonin.  Serotonin is manufactured in the brain; also, we now know that about 85% of our serotonin is manufactured in the gut. That makes digestive health even more important than we thought. In any case, serotonin is one of the first chemicals we target in prescribing medication.   There is a wealth of information on this topic all over the internet.  I’m going to give you a link you can look at, and follow some of the links on that page to find out more.  I do want to remind you that just because it’s…

View original post 699 more words

3 Ideas for Narrative Voice

With a deadline approaching, the best I could do for a guest-post from K. Alan was to reblog my thoughts about effective Narrative Voice. I hope some new readers gain some insight from it, and can comment on some of the most effective narrators you have encountered.

kalanleitch's avatarWords from K. Alan

voice Fill in the blank, authors.

This post needs comments!

Since my guest-post on The Muffin, where I seek advice about how to achieve the “Strong Female Voice” that so many agents seem to want, I’ve been pondering that question that authors seem to answer differently each time they are asked: what, exactly, is “Voice” in written fiction? It seems that agents want ‘original voices,’ implying that our writing should speak in some wacky or innovative way that’s never been used. Yet, agents also want accurate grammar, and writing that readers can follow easily. There is some contradiction.

Of course, the most interesting stories, particularly novels, tend to feature a variety of characters, so their voices need to identify them in startling, alluring or humorous ways that are still partly predictable. That is a huge challenge, but one for another discussion: for today, let’s narrow our focus to some different types of narrative…

View original post 500 more words

Write Who You Know

Welcome to the Cow Pasture Guest Contributor, Wendy Unsworth –  Wendy Unsworth, Books & more

Image source  Pixabay

Image source Pixabay

The accepted advice to writers is very often, write what you know and when I first heard it I thought it made a lot of sense. It still does make sense, sort of…
Bookshelves are peppered with court-room dramas penned by ex-lawyers, police procedural by cops and war stories by ex-military personnel. I can see how that works. Budding writers with this kind of background have a flying start, they know things that us ordinary mortals don’t know. They can write a very convincing and authoritative line on criminal profiling or surface-to-air missiles.

But what about the rest of us? I, for example, have been lucky to travel a lot and live in very different parts of the world. I’ve had a few different jobs, raised a family. But I haven’t been into outer space and I’ve never professionally (or otherwise – I hasten to add) dissected a human being. So does that preclude me from Sci-Fi and stories that require an insider’s description of a mortuary?

img_1906No, it doesn’t, but it does mean that if I want to write a credible story about a geeky young scientist who seems like a total fruitcake but whose genius is going to save the world from a mega-quake, I’m going to have a harder job than if I had just retired from on a dazzling career in seismology. I would need to do my research extremely thoroughly. No problem. Writers do that all the time. Writers create worlds and whether it is a contemporary concrete jungle or a kingdom, so far away that nobody has heard of it (yet), ravaged by marauding dragons, they have to get it right.

So, if knowing your fictional world, with its landscape and its skill-set is not necessarily a pre-requisite but, we accept, can also be achieved by careful research and understanding, is there anything else that a writer must vitally know?
The answer for me is yes. I need to know my characters, inside out, upside down, backward and forwards. I need to know what they would do if…

With time and perseverance, I can gather the knowledge I need to create the landscape of my story. I can read other books, I can google it, I can watch YouTube and I can ask people in the know. But if I really want my story to come alive I must get to know the characters who walk there, as only I can. These are my people, I don’t want to introduce them to the world if they are still strangers to me. And knowing them, I need to be true to them every time, no matter how much their refusal to go down into the deep, dark cellar while the wind howls and the lightning flashes, messes with the plot. I need to be absolutely sure that their actions and reactions are theirs and not mine and I need to respect that.
Know who you write. This is my mantra. When an author truly knows his or her characters they leap out of the page and stalk the reader right through to The End. They are memorable. They make us, the reader, think, question, admire, loathe.

And that’s what all writers want. (readers too!)

img_1902

If you enjoyed Wendy’s  post, let her know, at wendyunsworth.com, and as always, I’d love to hear from you. Talk to me. Tell me your story and look for me on Facebook at SheilaMGood,  PinterestBloglovinTwitter@sheilamgood, Contently, and Instagram. You can follow my reviews on Amazon and Goodreads.